Articles

• COSTUME AND THE DRAG SKIT MAKER: THE EXAMPLE OF WARRI MAMA

  Ruth Etuwe Epochi-Olise

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• A CRITIQUE OF THE CHARACTER INTERPRETATION OF JEDIDAH IN A TRIBE CALLED JUDAH (2023) AND YEJIDE IN A BATTLE OF BUKA STREET (2022)

  Ibe, Ogbobuike Ibe, PhD, Fulfilment, Piniki

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• UWEMEDIMO ATAKPO'S TREATMENT OF DECENTERED DEIFICATION AND INDETERMINATE RELIGIOSITYAMONG THE IBIBIO IN EDISUA

  Anietie Udofia (PhD), Aniekan Akpan (PhD)

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• HUMOUR AS A CATALYST FOR SOCIAL RESILIENCE IN LOKOJA, KOGI STATE: COPING MECHANISMS AND SOCIAL INTERACTION

  Oluwakemi M. EMMANUEL-OLOWONUBI

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• A STUDY OF TIMAYA'S BUM BUM (REMIX) AND THE FEMALE BODY AS OBJECT OF DANCE IN NIGERIAN MUSIC VIDEOS

  Tayo Joan Adenuga, Ph.D

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• THEATRE AS A CATALYST FOR CONSCIENTIZATION: REFLECTIONS ON FORUM THEATRE IN JOS METROPOLIS

  Aliyu Yakubu ABDULKADIR (MA)

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• EXTRACTIVE VIOLENCE AND ECOLOGICAL RESISTANCE IN JETA AMATA'S BLACK NOVEMBER: AN ECO-CRITICAL MARXIST FEMINIST ANALYSIS

  Gabriel OTSEMOBOR, Ph.D

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• A TEXTUAL DECONSTRUCTION OF RELIGIOUS HYPOCRISY IN WOLE SOYINKA'S THE TRIALS OF BROTHER JERO

  Kelvin Chibenumoso Opara, Iloma, Nyenwemaduka Richard Ph.D

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• EXPLORING THE ROLE OF MEDIA IN PROMOTING WOMEN POLITICAL LEADERSHIP: PLATEAU STATE WOMEN POLITICIANS' PERSPECTIVES

  Rhoda DALUNG, Sarah LWAHAS, Ph.D

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• HYBRIDIZATON AND THE THEATRE PRACTICE: AN ANALYSIS OF LEGENDS THE MUSICAL

  Samson Sunday AKAPO, Ph.D

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• UNPACKING THE LUCRATIVE POTENTIAL OF ONLINE SKIT-MAKING IN NIGERIA: AN EXPLORATORY STUDY OF SKIT MAKERS AND THE INDUSTRY

  Ibe Ogbobuike Ibe, PhD, Chukwuka, Christabel

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• ANALYZING NOLLYWOOD FILMS AND WEALTH CREATION THROUGH VISUAL EFFECTS AND ANIMATIONS ON YOUTUBE

  Ajiwe Uchechukwu Chimezie Ph.D, Abunike Chibuike M. Ph.D

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• INTERROGATING POLYGAMY AND FORCED MARRIAGE IN THE NIGERIAN SOCIETY: A REVIEW OF RASHEEDAH LIMAN'S HEART OF A WOMAN BOOK REVIEW

  Habeeb Salaudeen, ADEBAYO

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• BUILDING BRIDGES BETWEEN YOUNG PEOPLE RAISED IN THE DIGITAL ERA AND LIVE THEATRE

  Maria Jennifer IYERE, OGUNKOYA Ninilola Jennifer

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• UNRAVELING THE METAPHORS OF AKWA-CROSS WOMEN HAIRSTYLES AND CODE NEGATION IN VIVIAN CHIJI'S AYAMMA

  Margaret G. AKPAN (PhD)

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